While Russian culture draws many parallels to that of the west, it has its own unique flavor. The development of Russia’s modern theatrical arts are rooted in the Skomorohi, or roving entertainers somewhat like western bards and troubadours.

The oldest “theatricals” were those performed by folk histrionics, called “skomorokhi” and first recorded in historical chronicles in 1068.

Skomorokhi were the wandering minstrels of ancient Russia; they were singers, jesters, musicians, play performers, acrobats and animal trainers. But first of all skomorokhi were singers of freedom, who dared to ridicule the power, the clergy, and the rich and sympathized with the common people.

It was quite a complicated phenomenon. Skomorokhi were considered to be somewhat of soothsayers. Yet it was a false belief, since skomorokhi, while taking part in rites did not enhance their religious and mystical character, but on the contrary, attached more of worldly, secular meaning to them.

Almost anyone could “skomoroshit”, i.e. sing, dance, jest, play music instruments and impersonate some personages or creatures. Yet, only those whose artistry made them stood out against mass art were recognized true skomorokh masters. (Russian IC)

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